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The Mysterious Card: Cleveland Moffett

Cleveland Moffett
4.9/5 (27791 ratings)
Description:Cleveland Moffett (April 27, 1863 – October 14, 1926)[1] was an American journalist, author, and playwright.Cleveland was born in Boonville, New York, the son of William Henry Moffett and Mary Jane (Cleveland). After an education at St. Paul's School in Garden City, New York, he matriculated at Yale College in Connecticut, graduating in 1883.[2] In 1887, he joined the staff of the New York Herald, where he worked until 1892. Until 1891,[3] his time at the Herald was spent as a foreign correspondent in Europe and Asia, where he had the opportunity to perform interviews with prominent leaders. In 1893, he became foreign editor of the New York Recorder.[3] On February 11, 1899, he was married to Mary E. Lusk. From 1908–1909, he worked as Sunday editor for the Herald.[4]During his journalism career he contributed articles and stories to magazines and weeklies. In 1894, he translated Cosmopolis, an 1892 novel by French author Paul Bourget. His mystery short The mysterious card was published in the Boston-based The Black Cat in 1895. This work had the novelty of not revealing the answer to the puzzle posed, thereby gaining widespread attention;[5] it was followed up a year later by The mysterious card revealed.[6] In addition to serialized short stories, he also wrote several plays, including Money talks (1905) and The battle (1908). The latter was a dramatization of his 1907 novel, A king in rags.[2] Many of his works were set in locations outside the United States.[5] Gilman created a world in many of her stories with a feminist point of view. Two of her narratives, "What Diantha Did", and Herland, are good examples of Gilman focusing her work on how women are not just stay-at-home mothers they are expected to be; they are also people who have dreams, who are able to travel and work just as men do, and whose goals include a society where women are just as important as men. The world-building that is executed by Gilman, as well as the characters in these two stories and others, embody the change that was needed in the early 1900s in a way that is now commonly seen as feminism.Gilman uses world-building in Herland to demonstrate the equality that she longed to see. The women of Herland are the providers. This makes them appear to be the dominant sex, taking over the gender roles that are typically given to men. Elizabeth Keyser notes, "In Herland the supposedly superior sex becomes the inferior or disadvantaged ..."[50] In this society, Gilman makes it to where women are focused on having leadership within the community, fulfilling roles that are stereotypically seen as being male roles, and running an entire community without the same attitudes that men have concerning their work and the community. However, the attitude men carried concerning women were degrading, especially by progressive women, like Gilman. Using Herland, Gilman challenged this stereotype, and made the society of Herland a type of paradise. Gilman uses this story to confirm the stereotypically devalued qualities of women are valuable, show strength, and shatters traditional utopian structure for future works.[51] Essentially, Gilman creates Herland's society to have women hold all the power, showing more equality in this world, alluding to changes she wanted to see in her lifetime.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Mysterious Card: Cleveland Moffett. To get started finding The Mysterious Card: Cleveland Moffett, you are right to find our website which has a comprehensive collection of manuals listed.
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The Mysterious Card: Cleveland Moffett

Cleveland Moffett
4.4/5 (1290744 ratings)
Description: Cleveland Moffett (April 27, 1863 – October 14, 1926)[1] was an American journalist, author, and playwright.Cleveland was born in Boonville, New York, the son of William Henry Moffett and Mary Jane (Cleveland). After an education at St. Paul's School in Garden City, New York, he matriculated at Yale College in Connecticut, graduating in 1883.[2] In 1887, he joined the staff of the New York Herald, where he worked until 1892. Until 1891,[3] his time at the Herald was spent as a foreign correspondent in Europe and Asia, where he had the opportunity to perform interviews with prominent leaders. In 1893, he became foreign editor of the New York Recorder.[3] On February 11, 1899, he was married to Mary E. Lusk. From 1908–1909, he worked as Sunday editor for the Herald.[4]During his journalism career he contributed articles and stories to magazines and weeklies. In 1894, he translated Cosmopolis, an 1892 novel by French author Paul Bourget. His mystery short The mysterious card was published in the Boston-based The Black Cat in 1895. This work had the novelty of not revealing the answer to the puzzle posed, thereby gaining widespread attention;[5] it was followed up a year later by The mysterious card revealed.[6] In addition to serialized short stories, he also wrote several plays, including Money talks (1905) and The battle (1908). The latter was a dramatization of his 1907 novel, A king in rags.[2] Many of his works were set in locations outside the United States.[5] Gilman created a world in many of her stories with a feminist point of view. Two of her narratives, "What Diantha Did", and Herland, are good examples of Gilman focusing her work on how women are not just stay-at-home mothers they are expected to be; they are also people who have dreams, who are able to travel and work just as men do, and whose goals include a society where women are just as important as men. The world-building that is executed by Gilman, as well as the characters in these two stories and others, embody the change that was needed in the early 1900s in a way that is now commonly seen as feminism.Gilman uses world-building in Herland to demonstrate the equality that she longed to see. The women of Herland are the providers. This makes them appear to be the dominant sex, taking over the gender roles that are typically given to men. Elizabeth Keyser notes, "In Herland the supposedly superior sex becomes the inferior or disadvantaged ..."[50] In this society, Gilman makes it to where women are focused on having leadership within the community, fulfilling roles that are stereotypically seen as being male roles, and running an entire community without the same attitudes that men have concerning their work and the community. However, the attitude men carried concerning women were degrading, especially by progressive women, like Gilman. Using Herland, Gilman challenged this stereotype, and made the society of Herland a type of paradise. Gilman uses this story to confirm the stereotypically devalued qualities of women are valuable, show strength, and shatters traditional utopian structure for future works.[51] Essentially, Gilman creates Herland's society to have women hold all the power, showing more equality in this world, alluding to changes she wanted to see in her lifetime.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Mysterious Card: Cleveland Moffett. To get started finding The Mysterious Card: Cleveland Moffett, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
Format
PDF, EPUB & Kindle Edition
Publisher
Release
ISBN
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