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The Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of Humanity

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Description:Found in: Vibrant, Virtual Braz. Anthr. vol.10 no.1 Brasília Jan./June 2013OSSIER: CULTURAL HERITAGE AND MUSEUMSPART 4: SAFEGUARDING THE INTANGIBLEThe Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of HumanityIn this essay, we present a comparative analysis of the UNESCO heritage nomination process for two African Diaspora music and dance forms: samba de roda, from the Bahian Recôncavo (a coastal area of the northeastern Brazilian state of Bahia), and maloya, from Reunion Island (a former French colony in the Indian Ocean, which is now officially an "overseas department of France"). samba de roda, as the Brazilian candidate, was included in the III Proclamation of Masterpieces of the Intangible Heritage of Humanity, in 2005. And maloya, the French candidate, was inscribed onto the Representative List of the Intangible Cultural Heritage of Humanity, in 2009. Despite a number of formal commonalities between samba de roda and maloya, such as responsorial singing, choreography, and the main musical instrument types, the controversies raised during their respective processes of nomination were quite distinct. The former is regarded as a traditional and less well known style of samba, the musical genre widely recognized as the musical emblem of Brazil. The latter competes with séga-a genre of popular music consolidated in the local media-for the position of chief musical representative of Reunion Island. The disparate symbolic identities attributed to these musical expressions pave the way for a distinct manner of employing the international resources related to the safeguarding of intangible heritage. This suggests that the local impact of the inclusion onto international lists depends as much on the contextual particularities of each candidacy as on central decision-making bodies such as UNESCO.Keywords: samba de roda; maloya; Bahia (Brazil): Music and dance; Reunion (France, overseas departement): Music and dance; Intangible cultural heritage; Cultural policies.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of Humanity. To get started finding The Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of Humanity, you are right to find our website which has a comprehensive collection of manuals listed.
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Description: Found in: Vibrant, Virtual Braz. Anthr. vol.10 no.1 Brasília Jan./June 2013OSSIER: CULTURAL HERITAGE AND MUSEUMSPART 4: SAFEGUARDING THE INTANGIBLEThe Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of HumanityIn this essay, we present a comparative analysis of the UNESCO heritage nomination process for two African Diaspora music and dance forms: samba de roda, from the Bahian Recôncavo (a coastal area of the northeastern Brazilian state of Bahia), and maloya, from Reunion Island (a former French colony in the Indian Ocean, which is now officially an "overseas department of France"). samba de roda, as the Brazilian candidate, was included in the III Proclamation of Masterpieces of the Intangible Heritage of Humanity, in 2005. And maloya, the French candidate, was inscribed onto the Representative List of the Intangible Cultural Heritage of Humanity, in 2009. Despite a number of formal commonalities between samba de roda and maloya, such as responsorial singing, choreography, and the main musical instrument types, the controversies raised during their respective processes of nomination were quite distinct. The former is regarded as a traditional and less well known style of samba, the musical genre widely recognized as the musical emblem of Brazil. The latter competes with séga-a genre of popular music consolidated in the local media-for the position of chief musical representative of Reunion Island. The disparate symbolic identities attributed to these musical expressions pave the way for a distinct manner of employing the international resources related to the safeguarding of intangible heritage. This suggests that the local impact of the inclusion onto international lists depends as much on the contextual particularities of each candidacy as on central decision-making bodies such as UNESCO.Keywords: samba de roda; maloya; Bahia (Brazil): Music and dance; Reunion (France, overseas departement): Music and dance; Intangible cultural heritage; Cultural policies.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of Humanity. To get started finding The Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of Humanity, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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The Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of Humanity

The Recognition of Brazilian samba de roda and Reunion maloya as Intangible Cultural Heritage of Humanity

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