Description:D�at de S�rac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Claude Debussy described S�rac's music as "exquisite and rich with ideas." The early works were influenced by Impressionist harmonies, church modes, cyclic techniques, folk-like melodies and Andalusian motives. S�rac's style changed dramatically in 1907 when he left Paris and began to include Catalan elements in his compositions - a transition that has hitherto gone unrecognized. Robert Waters provides a much-needed study of the life and works of S�rac, focusing on the composer's regionalist philosophy. S�rac's engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. His musical philosophy mirrored larger social and political debates regarding anti-centralist positions on education, politics, art and culture in fin de si�e France. Such debates involved political and social leaders whom S�rac knew and personally admired, including the writer Maurice Barr�and the poet Fr�ric Mistral. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Déodat de Séverac: Musical Identity in Fin de Siècle France. To get started finding Déodat de Séverac: Musical Identity in Fin de Siècle France, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
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1351569791
Déodat de Séverac: Musical Identity in Fin de Siècle France
Description: D�at de S�rac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Claude Debussy described S�rac's music as "exquisite and rich with ideas." The early works were influenced by Impressionist harmonies, church modes, cyclic techniques, folk-like melodies and Andalusian motives. S�rac's style changed dramatically in 1907 when he left Paris and began to include Catalan elements in his compositions - a transition that has hitherto gone unrecognized. Robert Waters provides a much-needed study of the life and works of S�rac, focusing on the composer's regionalist philosophy. S�rac's engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. His musical philosophy mirrored larger social and political debates regarding anti-centralist positions on education, politics, art and culture in fin de si�e France. Such debates involved political and social leaders whom S�rac knew and personally admired, including the writer Maurice Barr�and the poet Fr�ric Mistral. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Déodat de Séverac: Musical Identity in Fin de Siècle France. To get started finding Déodat de Séverac: Musical Identity in Fin de Siècle France, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.