Read Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini

Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini

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Description:Chapters: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini, Michele Canzio, Giorgio Fuentes, Domenico Quaglio the Elder, Carlo Vigarani, Gaetano Castelli. Source: Wikipedia. Pages: 37. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Pietro di Gottardo Gonzaga (Pierre Gothard Gonzague in contemporary French sources, in Russian sources, March 25, 1751 August 6 1831) was an Italian theatre set designer who worked in Italy and, since 1792, in the Russian Empire. A talented vedutist, master of chiaroscuro art and trompe-l'il optical illusions, Gonzaga was primarily known for his fantastic yet deceptively realistic stage sets, and summarized the theory and purpose of his art as music for the eyes (French: ): "a perspective that changes in relation to variations in musical expression." According to Ferrero, Gonzaga was the first to promote scenic design into an art "in its own right" and shake off the derided image of mere decoration devoid of art. With age he lost confidence in his profession and aspired, in vain, to become a practicing architect. Subterranean Mausoleum, 1780s, Art Institute of Chicago.Gonzaga was born in Longarone, Italy. He trained in Venice in 1769-1772 under Giuseppe Moretti and Antonio Visentini. He was influenced by the art of Canaletto, Bibiena, Tiepolo but most of all Piranesi. In 1772 he joined the art firm of Galliari family. In 1779 Gonzaga debuted as solo stage designer in Teatro alla Scala production of ballets by Giuseppe Canziani and Sebastiano Gallet, and stayed with this theatre until the 1792 season. Subsequently he produced over sixty sets in Milan, Genoa, Rome and Venice. His curtain for the La Fenice theatre became a standard copied by numerous imitators. Gonzaga's Italian works, along with Galliar...More: http: //booksllc.net/?id=2436697We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini. To get started finding Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: 38

Format: PDF, EPUB & Kindle Edition

Publisher: Books LLC

Release: 2010

ISBN: 1157250882

Description: Chapters: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini, Michele Canzio, Giorgio Fuentes, Domenico Quaglio the Elder, Carlo Vigarani, Gaetano Castelli. Source: Wikipedia. Pages: 37. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Pietro di Gottardo Gonzaga (Pierre Gothard Gonzague in contemporary French sources, in Russian sources, March 25, 1751 August 6 1831) was an Italian theatre set designer who worked in Italy and, since 1792, in the Russian Empire. A talented vedutist, master of chiaroscuro art and trompe-l'il optical illusions, Gonzaga was primarily known for his fantastic yet deceptively realistic stage sets, and summarized the theory and purpose of his art as music for the eyes (French: ): "a perspective that changes in relation to variations in musical expression." According to Ferrero, Gonzaga was the first to promote scenic design into an art "in its own right" and shake off the derided image of mere decoration devoid of art. With age he lost confidence in his profession and aspired, in vain, to become a practicing architect. Subterranean Mausoleum, 1780s, Art Institute of Chicago.Gonzaga was born in Longarone, Italy. He trained in Venice in 1769-1772 under Giuseppe Moretti and Antonio Visentini. He was influenced by the art of Canaletto, Bibiena, Tiepolo but most of all Piranesi. In 1772 he joined the art firm of Galliari family. In 1779 Gonzaga debuted as solo stage designer in Teatro alla Scala production of ballets by Giuseppe Canziani and Sebastiano Gallet, and stayed with this theatre until the 1792 season. Subsequently he produced over sixty sets in Milan, Genoa, Rome and Venice. His curtain for the La Fenice theatre became a standard copied by numerous imitators. Gonzaga's Italian works, along with Galliar...More: http: //booksllc.net/?id=2436697We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini. To get started finding Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini

Italian Scenic Designers: Pietro Gonzaga, Antonio Basoli, Giacomo Torelli, Bernardo Buontalenti, Attilio Colonello, Enrico Prampolini

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