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The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries

Jan L. de Jong
4.9/5 (11150 ratings)
Description:“This book sheds a powerful light on the great historical frescoes of High Renaissance Rome. Jan de Jong dwells on the historical situation of the popes, the meanings of history in Renaissance Europe, and the responses of contemporary viewers to these paintings. He teaches us how to see these grand and fascinating works as they were meant to be seen—and, at the same time, suggests some of the reasons why they did not have their full intended effects.”—Anthony Grafton, Princeton University“Jan de Jong presents us with the first systematic study of the genre of political propaganda, invented in the sixteenth century. The author shows how the papacy, under pressure from religious and secular rivals, honed and fashioned the message of its narratives to present an image broadcasting its empyrean status. The pope’s authority was underscored by showing the emperor and kings kissing his foot. His right to rule the Papal States was justified by depicting Constantine making a gift to Pope Sylvester of the lands of his western empire. The role of the pope as adjudicator and peacemaker was authenticated by representing Paul III brokering the peace between Charles V and Francis I—even if that fragile treaty lasted only a handful of years. The political propaganda pioneered in the projects studied here provided a model followed by the courts of Europe up to and beyond Napoleon’s. De Jong gives us a fresh and vivid account, some of it based on material hardly studied before.”—Marcia Hall, Temple UniversityFocusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy’s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer’s experience is central to De Jong’s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters’ advisors did their best to “manipulate” the viewer accordingly, and De Jong discusses their strategies and methods.Jan L. de Jong is Associate Professor of Art History at the University of Groningen.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries. To get started finding The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
Format
PDF, EPUB & Kindle Edition
Publisher
Release
ISBN
0271062371

The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries

Jan L. de Jong
4.4/5 (1290744 ratings)
Description: “This book sheds a powerful light on the great historical frescoes of High Renaissance Rome. Jan de Jong dwells on the historical situation of the popes, the meanings of history in Renaissance Europe, and the responses of contemporary viewers to these paintings. He teaches us how to see these grand and fascinating works as they were meant to be seen—and, at the same time, suggests some of the reasons why they did not have their full intended effects.”—Anthony Grafton, Princeton University“Jan de Jong presents us with the first systematic study of the genre of political propaganda, invented in the sixteenth century. The author shows how the papacy, under pressure from religious and secular rivals, honed and fashioned the message of its narratives to present an image broadcasting its empyrean status. The pope’s authority was underscored by showing the emperor and kings kissing his foot. His right to rule the Papal States was justified by depicting Constantine making a gift to Pope Sylvester of the lands of his western empire. The role of the pope as adjudicator and peacemaker was authenticated by representing Paul III brokering the peace between Charles V and Francis I—even if that fragile treaty lasted only a handful of years. The political propaganda pioneered in the projects studied here provided a model followed by the courts of Europe up to and beyond Napoleon’s. De Jong gives us a fresh and vivid account, some of it based on material hardly studied before.”—Marcia Hall, Temple UniversityFocusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy’s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer’s experience is central to De Jong’s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters’ advisors did their best to “manipulate” the viewer accordingly, and De Jong discusses their strategies and methods.Jan L. de Jong is Associate Professor of Art History at the University of Groningen.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries. To get started finding The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
Format
PDF, EPUB & Kindle Edition
Publisher
Release
ISBN
0271062371

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