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The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies (Studies of the Weatherhead East Asian Institute)

Alexander Zahlten
4.9/5 (29955 ratings)
Description:In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia UniversityWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies (Studies of the Weatherhead East Asian Institute). To get started finding The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies (Studies of the Weatherhead East Asian Institute), you are right to find our website which has a comprehensive collection of manuals listed.
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PDF, EPUB & Kindle Edition
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0822372460

The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies (Studies of the Weatherhead East Asian Institute)

Alexander Zahlten
4.4/5 (1290744 ratings)
Description: In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia UniversityWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies (Studies of the Weatherhead East Asian Institute). To get started finding The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies (Studies of the Weatherhead East Asian Institute), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
Format
PDF, EPUB & Kindle Edition
Publisher
Release
ISBN
0822372460
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