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Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy (Visual Cultures and German Contexts)

Vanessa Rocco
4.9/5 (30592 ratings)
Description:Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-�-vis display culture.The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy (Visual Cultures and German Contexts). To get started finding Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy (Visual Cultures and German Contexts), you are right to find our website which has a comprehensive collection of manuals listed.
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1501347071

Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy (Visual Cultures and German Contexts)

Vanessa Rocco
4.4/5 (1290744 ratings)
Description: Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-�-vis display culture.The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy (Visual Cultures and German Contexts). To get started finding Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy (Visual Cultures and German Contexts), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
Format
PDF, EPUB & Kindle Edition
Publisher
Release
ISBN
1501347071
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